The Silence of Snow
By: Orhan Pamuk
(Turkey)
Summary of the story:
Ka or Ka’h is sitting at the bus. He will go to Kars because
he left his family. He traveled to Kars to refresh his mind .He go to his
compartment .After five years he go at a Frankfurt Kaufhof then he bought the
soft, downy beauty of a coat .The attention of snowflakes are swirling at the
sky he might realized that he was traveling at a straight away blizzard; the
start of his journey that would change his life forever and chosen to back. The
life that he had at his days was full of happiness and purity he is so innocent
about the world that he is standing .After 12 years he back to Istanbul to
attend his mother funeral .Then after traveled his neighborhood seen him
wearing the charcoal coat then the reaction of his neighbor he is so ambitious . He went home after
twelve years that his mother was died. He didn’t went home when his mother is
breathing .After 4 days he came back to Kars it seems like nothing was happened
.At last he realize that “it snows only once in our dreams.” He is on his bed
then he realizing that all his deeds was wrong.
Background of the author:
Ka, a
Turkish poet exiled for many years in Germany, takes a trip to Kars, in Turkish
occupied Kurdistan, ostensibly as a journalist for the left-wing
periodical Republican to investigate a plague of suicides and
to cover the local elections.
Ka has
another reason for being in Kars, to meet Ipek, recently divorced, the love of
his student days.
Kars is a
border town close to the Armenian border. For hundreds of years it has been
fought over by warring empires. For a brief period during the 1920s after the
First World War it was independent. It experienced a period of liberalism. Now
it suffers under Turkish occupation and the rise of political Islam. Women, as
everywhere under Islam, are suffering oppression.
Ka arrives
in Kars in the the middle of a snowstorm. No sooner does Ka arrive, than the
town is cut off, the roads blocked by snow.
Girls have
been committing suicide in nearby Batman, now the problem has spread to Kars.
All the
girls, bar the one who refused to obey the headscarf edict, have been very
badly treated by their families. Sadly the lot for girls in a backward of
Muslim community.
The
'headscarf girls', egged on by Islamists, are demanding the right to wear a
headscarf.
The
headscarf girls are seen in 'modern' Turkey as misguided souls who fight for
the right to wear the symbol of religious oppression.
As Ka
wanders around the town, the shadow, the spectre, of the PKK (The Kurdish
separatist movement) is everywhere. Everywhere he goes, Ka is followed by the
hated secret police. Informers are everywhere.
Ka is a
poet. Once he sets foot in Kars, the poems flow. For reasons that become
apparent, the poems do not appear in the novel.
The only
poetry that is reproduced, are a few lines from 'Bishop Blougram's Apology' by
Robert Browning:
Our
interest's on the dangerous edge of things.
The honest thief, the tender murderer,
The superstitious atheist.
The honest thief, the tender murderer,
The superstitious atheist.
There is
also a reference to the epic poem 'Kubla Khan' by Coleridge, and how it was
written and the end was lost.
Coleridge
had taken opium in the guise of medicine. The poem came to him whist in an
opium stupor. When he came to, he could remember the poem word for word and
carefully wrote it down as though it was being dictated to him. Then a man from
Porlock knocked on the door to collect a debt. Coleridge dealt with the man,
then to his horror, found he could not remember the remainder of the poem, just
a few word fragments, the general gist of how it went.
This is
the fear that drives Ka, the man from Porlock. He has spent years in exile in
Germany, unable to write, then on his return to Kars, the words flow, as though
they are being dictated to him, from where, he does not know, maybe God. He
hastily writes them down, fearful that the man from Porlock will interrupt the
flow before he has set the words down on paper.
The
Islamists are poised to take control in the local elections. The local military
take advantage of the fact that Kars is cut off by snow and mount a coup and
seize control of Kars.
Life
imitating art, the coup is initiated and masterminded from the stage during a
rowdy production at the National Theatre, the proceedings broadcast live on the
local TV network, the first time the network has ever carried a live broadcast.
Karl Marx
said, "Hegel remarks somewhere that history tends to repeat itself. He
forgot to add: the first time as tragedy, the second time as farce." The
farce is repeated with the theatre coup, this coup de theatre as
it is called by Serdar Bey the proprietor of the Border City Gazette,
the local newspaper.
Is the
theatre coup performance art? Ka appears to think so in a conversation with
Sunay Bey, the director of the touring theatre group, the man who staged the
coup:
I know
that you stage this coup not just for the sake of politics but also as a thing
of beauty and in the name of art. Just to look at his career is to see that
Sunay Bey's every political move has been for the sake of art ... you know only
too well that a play in which Kadife [leader of the 'headscarf girls' and
younger sister of Ipek] bares her head for all in Kars to see will be no mere
artistic triumph; it will also have profound political consequences.
Orhan Pamuk has
written a strange, surreal novel with episodes of very dark humour. At times
strongly reminiscent of Franz Kafka, also of Paul Auster, especially The New York
Trilogy – a writer, this times a poet, searching for answers,
self-referential. The style has strong echoes of Edgar Allan Poe.
In the
opening pages Orhan Pamuk paints a very depressing picture. The setting could
be 19th Century Russia. It is as though the words flow from the pen of Fyodor
Dostoevsky.
Ka though
is an optimist, like Santiago in The Alchemist by Paulo Coelho;
he is prepared to take risks to achieve what he sees as his destiny. Santiago
wants to find treasure, Ka to find happiness with Ipek with who he is
hopelessly in love.
Orhan
Pamuk poses the same questions and dilemmas as he does in My Name in Red, the conflict between East and West, between Islam and secularism. To
do so in a novel set in the past you may get away with. To do so in a novel set
in the present day, even worse, set in Turkish occupied Kurdistan, is to be
asking for trouble, and trouble is what he got.
From the
opening pages we have a highly political novel. Orhan Pamuk describes Snow as
his first and only political novel. An absolute no-no, in Turkey, where being a
journalist, an academic, a trade unionist, a human rights activist, is a very
hazardous occupation. To be a Kurd is even worse. Human rights in Turkey are non-existent.
The state
fears the Kurds, the people fear the state, but everyone fears the Islamists.
Orhan
Pamuk exposes what secular Turkey fears most, that Turkey will turn into an
Islamist state, like neighbouring Iran, run by Islamist fundamentalists. He
also highlights a dilemma that secularist liberals are rendered safe from
blood-thirsty Islamist fanatics by the army.
No one
who's even slightly Westernised can breathe freely in this country unless they
have a secular army protecting them, and no one needs this protection more than
the intellectuals who think they're better than everyone else and look down on
the people – if it weren't for the army, the fanatics would be turning their
rusty knives on the lot of them and their painted women, chopping them all into
little pieces.
For
writing a political novel Orphan Pamuk earns the wrath of the Islamists and the
Nationalists. For his outspoken comments on the Kurds and the Armenians, he was
persecuted by the state. He was eventually forced to flee Turkey.
The
background to the novel is snow. Wherever Ka looks he sees snowflakes. It is
snow that has cut off Kars and made the theatre coup possible.
Like each
individual life, snowflakes are unique, no one like another, each shaped by
mysterious and existential forces.
Ka wrote
nineteen poems whilst in Kars. Each he associated with a point on a snowflake.
The last he wrote was 'The Place Where the World Ends'. It was a snowflake that
inspired 'I, Ka', which he located at the centre of the snowflake. He wanted
twenty poems to turn them into a book, a book that was to be called Snow.
'The Place Where God Does Not Exist', the poem he read on stage at the National
Theatre, from where the coup was mounted, he never wrote in his little green
notebook.
We learn
from our narrator, that Ka never wrote poetry again. On his return to Germany,
he spent the rest of his short life reflecting on the meaning of his poetry. On
reflection, he was also trying to decipher the meaning of his own existence.
And by the time he was writing these thoughts, he was convinced that every life
was like a snowflake, all alike when viewed from afar, but each unique when
viewed close up.
His poems,
which he wrote in his little green notebook, were never published. On his
death, the little green notebook was never found.
Our
narrator, a lifelong friend of Ka, writes Snow, in an attempt to
ascribe meaning to the life of Ka.
Our
narrator goes by the name of Orhan, author of The Black Book.
In the
opening pages, we learn he is going to tell us about the life of Ka. Snow opens
with the journey Ka takes by bus to Kars.
The
silence of snow, thought the man sitting just behind the bus-driver. If this
were the beginning of a poem, he would have called what he felt inside him,
'the silence of snow'.
Ka seeks
happiness, but even when he is at his happiest, he feels the pain of
unhappiness, racked by the fear that he will have to suffer for the happiness
in order to create balance.
A strange
of somewhat surreal novel. Very
existential. A very powerful novel.
Snow is also a tragic love story.
Snow would make an excellent radio
drama.
Appreciation of the story:
The story is all about the boy traveled to Erzurum to Kars. It’s
really hard to leave behind your parents .For an important thing that could
them happy .That advantages of this story it could convince as at the last part
they say “regression is at the last”
because Ka’h say that “it snows only once in our dreams” Ka’h regret
about of what do because his mother die without
he’s presences.
I regret at my childhood days because I didn’t express my
love to my one and only mama I’m so spoiled because I know to myself that they
give all that I want and I didn’t change it a good value or love .Until this
days the pain was remained the same when I remember those days that my mom had
pass away I’m getting emotional .The importance of having a parents is a guide
to your life that could orient you at your childhood days .The mother that will
always remind you to take good care of yourself. I remind to persons who
disobey their parents is a big sin. They will always at your side to guide you
because without them you do not exist in this universe. They will always remind
as of what we do to them will back to as soon if you are parents to our kids.
As a Filipino we must obey are parents because “kung ano ang
iyong tinamin ay siyang iyong aanihin” that quote says that must of the
Filipino is thinking before they do. The respects of the Filipino teenager to
their parents they really obey their parents .For some aren’t obeying their
parents is get their at the last because of what they do to their parents
wasn’t not good .For instances there was a to scenario first Mario is a poor
kind of a kid that live at a Tondo, Maynila he’s parents always remind him that
life is like a cycle .He pursue his dreams in life to prove to his parents that
he is trying hard for his future. Then after 10 years he is a professional
Engineer .His parents didn’t regret of what they do before. Second Pedro is an
archaic kid that his parents provide all he wants at his life. He always tells
his parents vulgar words because of them didn’t attend their child “Parent’s
day” that’s why kid was going rebelled to them but the was understand that his
parents do their jobs for his brighter future but he waste those times that his
parents support him financially. After 10 years he’s life was miserable.
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